Behind the Eyes; Making Pictures, 2013. Edited by Beth Harland
Distributor: Cornerhouse Books
Twelve artists engaged in picture-making reflect on their relationships with the source material for their work, in a wide-ranging discussion of contemporary pictorial practice. This collection of new works and writings explores the processes of composition and mediation, entering the topical terrains of image and picture, and throwing fresh light on the interplay and differences between them. It seeks understanding of the distinction between captured appearance, which might be very immediate and momentary: an image, and something that is constructed, involving another duration entirely: a picture.
Within the context of historical and current debates around the evolving form of the picture, from Charles Baudelaire’s 19th Century notions of ‘painting as world’, to Jean-François Chevrier’s recent discussions of composition and tableau, we discover the ways in which artists’ strategies of making become individualized forms of mediation; we see how artists utilise the materiality of painting and drawing to re-work or re-see their initial visual sources; and we follow how the complex relationship between picture surface and the space of the viewer is negotiated as the arena for shared perception and meanings.
A Fragment of Time in the Pure State; mapping painting’s temporality through the digital image
Monograph by Beth Harland, 2009. Publisher: Verlag Dr. Muller
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Winchester School of Art Research Anthology, edited by John Gillett and Beth Harland, 2009